Just Rolled In: D.D Dumbo - "Walrus" and "Satan" [experimental pop / psychedelic / folk]

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Oliver Hugh Perry, the Australian multi-instrumentalist behind D.D Dumbo, and what may be this year's most inventive and infectious music, is nothing short of a musical genius. He made his mark back in 2013 with some standout solo performances and a subsequent 2014 self-recorded eponymous EP, creating his own bizarre sonic world by mixing psychedelia, pop, and folk with the aid of a microphone, 12-string guitar, two drums, and a floor full of effects pedals.

This year he released what immediately became my favorite song of the year, "Satan"—a chaotic groove that chugs along at a menacing pace and, compared to his debut EP, really ups the ante in terms of instrument/effects experimentation and vocal force. And if "Satan" wasn't enough to secure D.D Dumbo's upcoming Utopia Defeated LP as my most anticipated album of the year, Perry releases another catchy single, "Walrus", employing the same dynamic vocal range, frenetic fret work, and innovative approach to percussion and looping as its predecessor. I can't wait to see what other gems the upcoming full-length holds.

D.D Dumbo's Utopia Defeated hits shelves October 7 on 4AD. Grab a copy here. Check out the two singles below, as well as the excellent music video for "Satan".

Just Rolled In: Vesuvio Solo - "Don't Leave Me In The Dark" [soft rock / psychedelic / indie pop]

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Montreal-based band Vesuvio Solo are following up their excellent 2014 debut, Favors, with the promising Don't Leave Me In The Dark LP on September 28 via Banko Gotiti. A few months back we got the first taste of the new album in the form of the sexy R&B synth jam "Mirror Held To The Flower", and now Vesuvio Solo have released the groovy title track, a psychedelic soft rock song that brings to mind artists like Ariel Pink, Ducktails, and Mac DeMarco.

Check out the two songs below and grab a copy of Don't Leave Me In The Dark here.

Just Rolled In: Young Dreams - "Of The City" [psychedelic / orchestral pop / electronic / tropicalia]

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Bergen, Norway's Young Dreams has just released new material for the first time since their excellent 2012 debut album Between Places in the form of the fully imagined psych-pop single "Of The City". With production chops recalling the sleek expansiveness of Tame Impala's Currents, this upbeat single stays true to the psychedelic leanings of their debut and sports one hell of a string arrangement and bongo-heavy percussion section.

As the story goes, Young Dreams began work on their sophomore effort immediately after releasing their debut, but after three years of work on this "requiem for God", it was scrapped because the producer/composer/singer-songwriter behind it all, Matias Tellez, feared the album was "blasphemous and too conceptual" for anyone to like. However, the new track "Of The City" is actually a reincarnation of one of the songs from that discarded album, and boy, are we lucky that it made it to see the light of day! It just makes me wonder what the rest of that album would've sounded like. Nevertheless, Young Dreams has finished a different album that will be released in 2017, and if this song is any evidence, it's going to be amazing.

"Of The City" sees an official release August 26 via Blanca Records but can be streamed now on SoundCloud.

Just Rolled In: Idiot Glee - "Baby (I Could Be Your Bone)", "I Don't Feel Right", and "Evergreen Psycho" [psychedelic / synthpop / experimental]

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Lexington, Kentucky's experimental pop artist James Friley has been making music under the name Idiot Glee since 2009. His newest release, a self-titled full-length out on the label he co-founded, Hop Hop Records, and produced by the composer of Hedwig and the Angry Inch, hit shelves a few weeks ago and he's currently on tour with his band to support it.

I had the pleasure of seeing them play at a DIY venue called The Smell in Los Angeles last weekend. Unfortunately, my prior knowledge of Friley's music was limited to his 2011 debut Paddywhack (a unique lo-fi pop album rightfully characterized as post-doo-wop), but seeing him perform live nearly five years after that release gave me a quick lesson on how his progression as an artist has taken his music in a new direction, a direction away from doo-wop and lo-fi and more toward 70s synthpop and psychedelia.

Idiot Glee's sound may be hard to put a finger on, seeing as there's nothing really out there right now that compares (maybe Islands or Adult Jazz?), but it's easy to say that his soulful croon, hypnotizing vocal harmonies, and dextrous piano and synth playing are the defining elements of his music. On Idiot Glee, Friley's influences (namely Brian Eno, John Cale, and Scott Walker) are evident and there's a noticeable improvement in production, which gives the record more of a full band sound than his previous releases. Needless to say, it's a fantastic album.

My top three picks from the album are "Baby (I Could Be Your Bone)", "I Don't Feel Right", and "Evergreen Pyscho". Stream them below to get a better idea of what Idiot Glee is all about and catch them on tour in a city near you! Stream and purchase the album here. It plays great on vinyl!

Just Rolled In: Pepa Knight - "Eventually" (Tame Impala Cover) [indie folk / dream pop / acoustic]

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One of holaOLA's mainstays, Australia-based Jinja Safari front-man Pepa Knight, never ceases to amaze. Here he is again in all his dreamy folk-pop glory taking on one of my favorite songs of 2015 so far, "Eventually" from Tame Impala's arguably impeccable third LP Currents.

In his own words, this is the bonfire-n-chill version, and I can't agree more. His complex acoustic take on the powerful song marries his beautiful vocal harmonies and other-worldly instrumentation including flutes, lutes, glockenspiels, resonator guitars, synths, and light percussion, leaving us with a new song just as great as its predecessor, only more suitable for a peaceful night around a glowing campfire with close friends.

Be on the lookout for Pepa Knight's second solo EP, Hypnotized, Vol. II, expected for release in early 2016. And if you haven't heard his debut EP released last year, enjoy that here.

Swell Album - Moses Gunn Collective - Mercy Mountain [psychedelic / indie rock] ***ALBUM STREAM***

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Brisbane's favorite psych-rockers Moses Gunn Collective have just unleashed their epic debut album, Mercy Mountain, complete with dreamy chops, oozy guitar solos, tumultuous jams, anthem sing-alongs, soulful falsettos, and just overall weird beauty. The five-piece have been around for a few years and are known for their trippy homemade costumes, impressive onstage dance moves, and of course, their frantic and fun take on psychedelic rock. Mercy Mountain just further solidifies them as one of Australia's most promising new bands.

As you drift through the 13 beautiful tracks on Mercy Mountain, you may be reminded of contemporary psych greats Tame Impala, MGMT, Foxygen, Connan Mockasin, King Gizzard and the Lizard Wizard, Deerhunter, or Thee Oh Sees, but just as each of those bands differs greatly from the others, Moses Gunn Collective also fit into their very own space on the psych spectrum, a glittery place where songwriting, melody, and good vibes rule.

Stream Moses Gunn Collective's debut album Mercy Mountain below and purchase your very own copy on iTunes.

Swell Album: Triptides - Azur [psychedelic rock / indie pop / surf]

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Los Angeles's new residents Triptides have come a long way from the bedrooms of founding members (and primary songwriters) Glenn Brigman and Josh Menashe in Bloomington, Indiana. They have since transformed into a four-piece and have been steadily pushing out recordings for almost five years now. The psychedelic guitar pop band's most recent LP and followup to last year's Colors EP is Azur, which came out July 10 via Requiem Pour Un Twister.

As you may have gathered from the band's name and album art, Azur is a very warm, summery listening experience, but it shouldn't be limited to that. Although Triptides' intricate guitars and overall breezy vibe may recall current bands like Real Estate at times, it's their effortless ability to fuse 60s-influenced psychedelic, surf, and pop melodies together into fresh, memorable songs that makes them irreplaceable.

Considering the balance that the guys of Triptides have crafted between upbeat guitar pop songs and more relaxed psychedelic tunes on Azur, it's clear that they are more than just a one-trick pony hoping to get one of their sunny tracks lost amongst the uniformity of someone's Summer '15 playlist. Azur is an impressive album front to back and deserves to be listened to in full, no matter the season.

Grab yourself a copy of Azur here and check out the excellent singles "Wake", "Dark Side", "Hideout", and "Where You Are" below!